Ed note (Trevor)~The original, full “Holocaust Deprogramming Course” can be found here, and it is the most comprehensive compilation on the internet of “revisionist” materials I have ever seen. Although maybe we shouldn’t call it “revisionism,” it is just history. The OTHER guys are the one that need to do the revising. But in the end, revisionism captures the essence of history. It is “revisiting” the past. It should never be a taboo, and the real criminals are not the “deniers,” they are the ones forbidding humanity to learn what happened. This is indeed a heinous crime against humanity, perpetrated by World Jewry as a whole, maybe minus David Cole Stein and Paul Eisen. If I am wrong, correct me, but I haven’t found a single other one who doesn’t hate these undeniable, concrete facts. Concrete makes a much better foundation than bovine excrement, any carpenter will agree.
The link below is the one that corresponds to this headline, an succinct and powerful article by Friedrich Paul Berg. The holocaust story is part of Israel’s foundation, and what a crummy foundation it is…It can’t stand up to the jackhammer of truth. Cheers, fellow TUTers, keep on excavating the facts and keep on sharing them widely until this nightmare is over.
One thought on “LEST WE FORGET: Simple Reasons to reject the Holocaust TM”
From Prof. Wayne Routledge’s outstanding new book on Weasel:
“It is on this point of contradiction that we can see clearly the con- nection between the Holocaust myth and other forms of lowbrow popular culture like television series, soap operas, comic books, professional wrestling and similar continuous narratives. In each of these genres, the creators employ a narrative tool known as “retroactive continuity.” Thanks to it, they are able to create new episodes that contradict earlier ones, usually through the suppression of earlier characters and events from the narrative if they impede further development of the plot line. There is no problem in such a situation, for they disappear as if they had never existed. Since the Jewish Holocaust tale is essentially a work of fiction, it too must have continual recourse to rewriting through the use of “retroactive continuity.” Thus, a lesser myth like Wiesel’s “ten-year vow of silence” is slowly being deleted from the Holocaust story as if it had never existed. Likewise, numerous more grandiose claims, such as the lampshades made out of human skin, the bars of soap made from Jewish fat, and the four million dead at Auschwitz,129 are also slowly being phased out of the official narrative of the Holocaust as if they had never existed.” (Holocaust High Priest, pp. 70-71)
From Prof. Wayne Routledge’s outstanding new book on Weasel:
“It is on this point of contradiction that we can see clearly the con- nection between the Holocaust myth and other forms of lowbrow popular culture like television series, soap operas, comic books, professional wrestling and similar continuous narratives. In each of these genres, the creators employ a narrative tool known as “retroactive continuity.” Thanks to it, they are able to create new episodes that contradict earlier ones, usually through the suppression of earlier characters and events from the narrative if they impede further development of the plot line. There is no problem in such a situation, for they disappear as if they had never existed. Since the Jewish Holocaust tale is essentially a work of fiction, it too must have continual recourse to rewriting through the use of “retroactive continuity.” Thus, a lesser myth like Wiesel’s “ten-year vow of silence” is slowly being deleted from the Holocaust story as if it had never existed. Likewise, numerous more grandiose claims, such as the lampshades made out of human skin, the bars of soap made from Jewish fat, and the four million dead at Auschwitz,129 are also slowly being phased out of the official narrative of the Holocaust as if they had never existed.” (Holocaust High Priest, pp. 70-71)