Sooner or later, tyrants are always abandoned by their followers

ed note–keep in mind, that the author of this piece, a warmongering, Neocon Zionist Jew named Eliot Cohen–

…Is allied with this guy, also a warmongering, Neocon Zionist Jew named Bill Kristol

Who is allied with this guy, also a warmongering, Neocon Zionist Jew named Max Boot

And who is allied with this guy, also a warmongering, Neocon Zionist Jew named Paul Wolfowitz–

And who is allied with this guy, also a warmongering, Neocon Zionist Jew named Robert Kagan

along with his rather portly brother

And who is allied with this gal, also a warmongering, Neocon Zionist Jew named Jennifer Rubin–

And who all are allied with this guy, that is, before he died and went to hell, also a warmongering, Neocon Zionist Jew named Charles Krauthammer–

And who all are deeply, DEEPLY plugged into Israel’s Likud party, Israel’s intelligence apparatus and who were all in some way intimately involved not only with the events of 9/11, but as well, the disastrous ‘clash of civilizations’ better known as the ‘war on terror’.

In addition to this, they are all deeply, DEEPLY committed to seeing Trump impeached, and for the singular reason that he stands opposed to any new military adventures for Israel’s benefit and is dedicated to reigning in this Judaic mad dog before it blows up the entire world.

Also keep in mind, that an entire gaggle of geniuses, experts, and prophets, some of the brightest luminaries in fact within the ‘9/11 truth movement’, find themselves in the unusual circumstance of standing alongside these aforementioned warmongering, Neocon Zionist Jews and are lending their voices and their support in causing Trump as much discomfort as possible, thus assisting Israel in her drive to see Mike Pence take over as the new occupant at 1600 Pennsylvania Ave.

Just try doing the math on that one.   

Eliot Cohen for The Atlantic 

Michael Gerson, one of the most eloquent and principled critics of Donald Trump, insists that we are at June 1973, the moment when John Dean’s testimony broke the dam that a year later swept Richard Nixon off into disgrace. Others agree: This is an inflection point. And yet an equally well-informed friend insists, “I no longer believe in political inflection points and neither should you.” Who knows? But even if we do not recognize the turning points in the moment, we can anticipate what the end will feel like when it does arrive.

To be sure, Trump could hang on until the 2020 election. It is even possible, if considerably less likely, that he could be reelected and march off into a glitzy retirement at Trump properties in Florida and New Jersey, his retreat from public life punctuated only by bursts of increasingly senile bombast. But it does seem more likely than it once was that he will go down in disgrace.

The mood of that moment was given to us in an episode now faded into the remote, pre-Paul Manafort-conviction, pre-Michael Cohen-guilty-plea world, when Omarosa Manigault-Newman, the flashy villainess of more than one Trump reality-television show, turned on her benefactor with juicy and not entirely incredible revelations. A puerile justice this: the secret taper of others taped, the once upright Marine general caught trying to bully the only black woman close to the president by locking her in the Situation Room while threatening her with legal consequences to force her resignation. Her betrayal of her benefactor proved a tawdry but revealing final episode in this particular show.

But to really get the feel for the Trump administration’s end, we must turn to the finest political psychologist of them all, William Shakespeare. The text is in the final act of what superstitious actors only refer to as the “Scottish play.” One of the nobles who has turned on their murderous usurper king describes Macbeth’s predicament:

Those he commands move only in command,

Nothing in love. Now does he feel his title

Hang loose about him, like a giant’s robe

Upon a dwarfish thief.

And so it will be for Trump. To be clear, these are very different people. Macbeth is an utterly absorbing, troubling, tragic, and compelling figure. Unlike America’s germaphobic president, who copped five draft deferments and has yet to visit the thousands of American soldiers on the front lines in Afghanistan or Iraq, he is physically brave. In fact, the first thing we hear about him is that in the heat of battle with a rebel against King Duncan (whom he later murders) Macbeth “unseamed him from the nave to th’ chops.” He is apparently faithful to his wife, has a conscience (that he overcomes), knows guilt and remorse, and has self-knowledge. He also has a pretty good command of the English language. In all these respects he is as unlike Trump as one can be.

But in the moment of losing power, the two will be alike. A tyrant is unloved, and although the laws and institutions of the United States have proven a brake on Trump, his spirit remains tyrannical—that is, utterly self-absorbed and self-concerned, indifferent to the suffering of others, knowing no moral restraint. He expects fealty and gives none. Such people can exert power for a long time, by playing on the fear and cupidity, the gullibility and the hatreds of those around them. Ideological fervor can substitute for personal affection and attachment for a time, and so too can blind terror and sheer stupidity, but in the end, these fall away as well.

And thus their courtiers abandon even monumental tyrants like Mussolini—who at least had his mistress, Claretta Petacci, with him at his ignominious end. (Melania’s affections are considerably less certain.) The normal course of events is sudden, epic desertion, in which an all-powerful political figure who loomed over everything is suddenly left shrunken and pitiful, a wretched little figure in gaudy robes absurdly too big for him, a figure of ridicule as much as, and even more than, hatred.

This is going to happen to Trump at some point. Of the Republicans in Congress it may be said of most of them: Those he commands move only in command, nothing in love. For now, admittedly, there are those who still court his favor—Senator Lindsey Graham, for example, once the trusty vassal of Senator John McCain, the bravest of warriors and noblest of dukes, seems to have switched his allegiance from his dying lord to the swaggering upstart aged prince. But that is about ambition, not affection.

For the moment, the Republicans will not turn on Trump. They fear a peasant revolt, many of them; they still crave favors; they may think his castle impregnable, although less so if they believe what the polls tell them about some of its tottering walls. But if they suffer a medieval-style slaughter on Election Day, the remnants of the knights of the GOP will know a greater fear than that of being primaried. And at the moment when they no longer fear being swept away in 2020, when the economy may be in recession and Robert Mueller’s probe is complete with revelations whose ghastliness would delight the three witches of the Scottish play, they will suddenly turn on Trump. Act V of this play will also have a nonlinear finish.

And what of Trump himself? In this respect he will be like Macbeth. Where Nixon, who was a statesman, saw the inevitable and resigned, this president is more likely to go down spitting defiance. As for the rest of us, Macduff says to the cornered king just before their final death grapple:

Live to be the show and gaze o’ th’ time.

We’ll have thee, as our rarer monsters are,

Painted upon a pole, and underwrit

“Here may you see the tyrant”

And so it will likely be, as Americans gaze back and wonder how on earth this rare monster, now deposed, ended up as their president.

2 thoughts on “How Trump's Presidency Will End”
  1. Ah, caustic wit, where are you? The knave speaks well, prescient and tragically. God, where were you?

  2. Eliot Cohen, eh? Another prolix Hebraic wordsmith. But, methinks, yet more sound and fury signifying nothing.
    Trouble is, Eliot’s self-delighted commentary has not basis in realty. The only parallel he draws with Macbeth is Trump’s imagined and fervently hoped for loss of power. And supposed ‘tyranny’. In fact, neither Macbeth nor Trump are what you would call ‘tyrants’. Not, say, in the way that Israhell’s What-a-Yahoo is a tyrant. Macbeth is a tale about a man being brought low by the vaunting ambition of a woman … his wife, Lady Macbeth. Perhaps the play should have been called ‘Lady Macbeth’. It’s as much about her as it is about him.
    No evidence that Trump is being cruelly manipulated by his rather austere ice-queen of a wife, Lady Melania Trump. Rumor has it that she didn’t even want him to run for president.
    Tyranny and infantilism go hand in hand. The very young live in a necessarily solipsistic world where all they can do is helplessly demand that their needs be met. There is an explanation for What-a-Yahoo’s infantilism … his wife. If you have never heard Sara Netanyahu at full throttle, this clip from Israeli radio gives you a blast of her vile temper, thrilling in its diabolical ghastliness … https://www.youtube.com/watch?v=vVFobCw6hIA
    In that respect, there is a much more convincing parallel to be drawn between What-a-Yahoo and Sara Macbeth. And a more convincing parallel to be drawn between Eliot Cohen and the teller of Macbeth’s tale…
    Out, out, brief candle!
    Life’s but a walking shadow, a poor player
    That struts and frets his hour upon the stage
    And then is heard no more. It is a tale
    Told by an idiot, full of sound and fury,
    Signifying nothing.
    Macbeth – Act 5 Scene 5

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